Les Poules à Colin: Morose


Les Poules à Colin: MoroseThe good fortune of the musicians of Les Poules à Colin – all but one from Joliette, in Quebec – who met at Université du Québec à Montréal is now on a dramatic trajectory in the world of music with an infectious fusion of music that is uniquely Québécois with the sounds of Celtic accents, informed by violinist and velveteen vocalist Béatrix Méthé rubbing shoulders with banjoist Colin Savoie-Levac, pianist and silken-voiced Sarah Marchand, guitarist and harmonising vocalist Éléonore Pitre together with bassist and also harmonising vocalist Marie Savoie-Levac. There are also broad musical hints that this is a group also informed not only of the high and lonesome blue-grass tradition but in a deep sense also of the tradition of Provençal troubadours and this is all over the lyric content of the music on Morose

It is a bold and enterprising move to just present such material. Les Poules à Colin is a whimsical name for a band, but not an uncommon one, given the propensity for the whimsy – and sometimes noir humour of the Québécois. The music of Morose covers a wide swathe of sensibilities and is superbly rendered from the delicate tracery of the banjo and mandolin as Béatrix Méthé and Sarah Marchand sing forlornly of love in “Morbleur, Sambleur!” to virtuoso instrumentals such as “Condor”. The music is full of life and colour, and with throughout we can appreciate the individuality of the musicians (and the guests) of Les Poules à Colin’s harmonies and of the beauty in which the music’s lyrical and narrative worlds collide.

Much of this has to do with the allure of both vocalists Béatrix Méthé and Sarah Marchand. But the instrumental skills also have much to do with the beauty of this music; the languid ease with which the guitar, violin, banjo and mandolin melt with each other creating an irresistible rhythmic event that seems to spiral from song to song, to each new climax. While there is much to beguile all through the music of this album, one is especially mesmerised by the two vocalists who shape the bittersweet beauty of the songs. They do this in their faultless sense of phrasing and compelling in their often breathtakingly forlorn lyricism which sets the music aflame as the instruments thrum resonantly alongside. It is an album of exceeding enchantment.

Track list – 1: Introduction a la poule à Colin; 2: Morbleur, Sambleur!; 3: Le laurier blanc; 4: Le pont de l’Anse; 5: Team B-Queen B; 6: La volerie; 7: Belle Exodina; 8: Kahler Hotel; 9: Jour de fete; 10: Rossignolet; 11: Condor; 12: Coeurs sensibles; 13: My room; 14: Breakfast at the Methe’s (part 2)

Personnel – Sarah Marchand: piano, Wurlitzer, Fender Rhodes and lead vocals; Béatrix Méthé: violin and lead vocals; Éléonore Pitre: guitars and vocals; Marie Savoie-Levac: electric bass and vocals; Colin Savoie-Levac: mandolin, banjo, lap-steel guitar, foot-tapping and vocals. Guests – David Berthiaume: Jew’s harp and vocals (1); Stéphanie Lépine: violin, viola and backing vocals (harmonies) (3); Benoit Fortier: French horn (4); Yann Falquet: vocals (7); Quinn Banchand: electric guitar, violin, viola (13) (recorded in Victoria, British Columbia; Dana Whittle: backing vocals (harmonies) (14); Simon Marion: dobro (14)

Released – 2018
Label – Famgroup
Runtime – 1:01:54


  1. A terrific review of a captivating album which offers more to relish with each listening.
    This article captures just how finely balanced Morose is between a sense of yearning & joyfulness.


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